In his photographs, the angle of the camera captures the architectural and geometrical dimension of situations rather fortuitous or provoked by the encounter of dissonant elements, echoing the forms elaborated in his sculptures. His works could be understood as evidence or fragments of his dissection of relationships that oscillate between power relations and curiosity: Man, animals, architecture, social classes are some of the components of the interactions that the artist observes and questions on a daily basis.

These reflections are informed by an assiduous reading of American and European literature and philosophy that portray groundbreaking attitudes and thoughts, offering a counterpoint to the prerogatives of modern Eastern society. In his exhibitions, Luke James is most likely to present sculpture and photography together, sometimes punctuated by painting. Each discipline acts as a reading track for the other. For the artist, the exhibition space becomes a territory to be conquered, which he seizes through actions of both construction and deconstruction.